![]() It is believed the New York Studio 72 was closed by this time. This scanner experienced many problems with dirty optics.Ī second studio, Studio 41, was converted in 1956 with TK-41's.īy the early 60's, CBS colorcasting has decreased to only a few shows per year. A Philco Film Scanner was provided for 35mm motion picture film. The TK-40A cameras could then be moved to any of these other studios and patched back to the Studio 43 color control room. Cables for the color cameras were permanently installed from the Studio 43 color control room to the other four studios. Opened Septemwith "Life with Father" colorcastĪ second color control room with TK-40A camera controls was added behind the audience in addition to the existing Studio 43 B&W control room ($1M, BT 4/12/54). Television City Hollywood (Beverly and Fairfax. Thus, the only CBS East Coast color capability from late 1964 until the conversion of the Sullivan Theater in late 1965 was from film and video tape. Eventually, only the TK-26 Film Chains from Studio 72 were moved to the Broadcast Center on West 57th Street in late 1964. The TK-40A color cameras had been converted to the CBS "Video Scene" process whereby they were used as black and white cameras for matte shots. Stephen Paley says he saw Studio 72 still in operation in 1964. It was not known by either Deppe or CBS's Richard O'Brien when Studio 72 was retired. He reported in March, 1997 that between the infrequent CBS colorcasts, none of the color equipment was even regularly powered - so much equipment maintenance had to be done when a rare colorcast was scheduled. Harold Deppe worked for CBS at Studio 72. As colorcasting was progressively slowed on CBS during the late 1950's, only the monochrome equipment in this studio was used for origination of a number of black and white telecasts including "The Verdict Is Yours". The Decem"Nutcracker" on "Playhouse 90", the first color video-taped CBS show, originated from this studio. CBS featured a rotating schedule of one-time New York program colorizations including the "Ed Sullivan Show" from Studio 72. This was the first major CBS NTSC color studio. Later, 3-vidicon RCA TK-26 Film/Slide chains replaced film scanners in this studio. The studio had side by side Monochrome and Color control rooms. Live Cameras (4 - TK-40A's) Slide, 35mm and 16mm Film Scanners (DuMont 16mm and Philco 35mm). Two Control Rooms (Color and B&W with TK-11's) In several instances, local affiliates had better color facilities than the networks. ![]() The unavailability of color studios led to early color programming practice of the occasional color special or colorizing a single episode of a regular series. In 19, NBC and CBS had only one color studio each on the East and West Coasts - ABC would not have a live color stage until ten years later in 1965. For a surprising long time, there were few color facilities. This page describes the initial capabilities of the networks and major independents to colorcast live shows. ![]() CBS also inserted promo slides for an upcomming colorcast of "The Wizard of Oz". The poor horizontal linearity of the eye indicates a poorly maintained TK-26. CBS inserted the above color eye using its (infrequently used) original TK-26 color slide/film camera. So, NBC played the tape in its shop and sent it via the permanent New York NBC to CBS Telco link. In 2001, Steven Paley described this as one of the only times that NBC originated a CBS network show: CBS could not play this earliest color recording because of its unique NBC proprietary format. (The trilogy of Astaire 1958, 1959, and 1960 NBC Specials were shown by CBS on the last Sunday of 1964 and the first two Sundays of 1965) Strangely, the tape was recorded by NBC as an aircheck of CBS's Janurepeat showing of the 1959 Special, "Another Evening with Fred Astaire". The CBS "Blood-Shot" Eye Color Television Logo is a video capture from an original "low-band color" standard 2-inch videotape of a CBS color show. ![]() The CBS Color Television Logo, rarely seen between 19
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